The Rise of Empress Wu
Wu Zhao had been a junior concubine of Taizong. On his death she, like his other childless concubines, entered a Buddhist convent, but Gaozong brought her back to the palace, probably in the early 650s. In 655 he deposed his first wife, Empress Wang, and made Wu Zhao empress, overriding the fierce opposition of his senior ministers. Chu Suiliang was exiled, and in 659 Zhangsun Wuji was accused of treason, exiled and forced to take his own life.
From about 660 Gaozong suffered from a chronic illness, probably a series of strokes, that affected his sight and left him often unable to attend to business. Empress Wu increasingly dealt with state affairs on his behalf. In 664 an attempt by the chancellor Shangguan Yi to have her deposed failed and cost him his life. From then on she sat behind a screen at court audiences, and the two rulers were spoken of together as the ‘Two Sages’. In 674 they took the new titles of Heavenly Emperor and Heavenly Empress.
Death and Legacy
Gaozong died in Luoyang at the end of 683 and was buried at the Qianling Mausoleum near Chang'an, where Wu Zetian was later laid beside him. He was succeeded by their son Li Xian, who reigned as Emperor Zhongzong for barely six weeks before his mother deposed him. She governed through a second son, Emperor Ruizong, until 690, when she proclaimed her own Zhou dynasty.
Traditional historians judged Gaozong harshly, as a weak and sickly ruler dominated by his wife. Modern historians give more weight to the achievements of his reign, including the Tang Code and the empire's greatest territorial expansion, and to the stability that allowed the Tang to flourish in the following century.
Tang Ceramics in Gaozong's Reign
Gaozong's reign saw the emergence of Tang sancai, the low-fired earthenware with amber, green and cream lead glazes. Among the earliest securely dated examples are pieces from the tomb of Li Feng, a son of the dynasty's founder, buried in 675. Sancai reached its height in the following decades, above all in the tomb figures of horses, camels and attendants made for the elite of Chang'an and Luoyang. The satellite tombs of the Qianling Mausoleum, built for members of the imperial family reburied in 706, contained fine examples along with celebrated wall paintings. At the same time the Xing kilns in the north were making fine white wares, and the Yue kilns in the south green-glazed celadons. Our pages on antique Chinese pottery and Tang dynasty art say more about these wares.